Her representations of nude women convey the reality of the female form in all its imperfection while highlighting its philosophical nature. Xiang Jing: If you want me to look at it in terms of gender — to divide people into male and female artists — I am not used to seeing things this way and my reaction time would be pretty slow. First of all, I did not pay attention to this group of so-called female artists. I did take part in exhibitions organised by people like Jia Fangzhou, which featured only female artists, but I really did not pay much attention when China began to have female artists.
The aim of the project, she told the audience, was to create images that focus on the male body as a desirable object seen from a female perspective.
The topic of sexuality in art history can be approached in a variety of ways but perhaps the most valuable one in terms of a foundational topic for a survey art history lecture is the convention of female nudity in art. Tracing this convention through the history of art will enable you to cover issues of sexuality, gender, and power with your class. Additionally, you can spend time looking at the ways in which modern and contemporary artists have responded to the trope of female nudity in order to break with past conventions, and the ways in which feminist and queer artists and artists of color have developed new approaches to this tradition from a position of marginality. The first part of the lecture will review the tradition of female nude in western art history, and introduce concepts of objectification and the gaze.
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