By Richard Rutt
This reference presents an entire background of hand knitting by way of tracing the advance and refinement of the craft. With particular consciousness to the social elements of knitting, it examines the adjustments in instruments and strategies inside diversified areas. tested intimately are the background of ecu knitting earlier than 1500, knitting in Britain from Henry VIII to the Commonwealth, from the recovery to 1835, through the nineteenth century, and through international struggle I and after. additional explorations reflect on neighborhood traditions within the British Isles, knitting as practiced east of the Adriatic, and advancements within the Americas. soaking up studying for knitters and nonknitters alike, this publication additionally defines knitting on the subject of different yarn crafts resembling crochet and nalbinding and provides a old thesaurus and a transcription of the earliest identified English knitting pattern.
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Additional info for A History of Hand Knitting
Red, patterned in dark and light blue, ochre, white, pink, green and brown. The monastery of St Mary of Las Huelgas, near Burgos in northern Spain, still houses a community of Cistercian nuns. It was founded by King Alfonso VI of Leon and Castile and his wife Before 1500 41 40 Before 1500 crimson, decorated with golden-yellow. There is a pendant green tassel on each of the four corners. One side has a diamond diaper of yellow lines dividing the field into lozenges, each of which contains an eagle or fleur-de-lys.
The distinction between art and craft is practical rather than logical. It is useful in education and in museums, but essentially blurred. Unhappily it is coloured by intellectual snobbery, as though art were in some way intrinsically higher, greater, or better than craft. Eric Gill (1882-1940) the sculptor and typographer, insisted that art is simply making things. as a Latin root, and 'craft' an Old English root. Both words mean the same thing: skill. The distinction between 'artist' and 'artisan' is modern.
Plifed recipe with a different and much better version of the pomegranate. at the Dura fragment is nalbinding. The peculiar techniques described by Louisa Bellinger are easy and natural in nalbinding, impractical in knitting. The work was probably done in the round and may be part of a sock. We cannot guess where it was made. Artefacts from anywhere in the world might turn up at a trading centre like Dura. Only the date is certain. For a map of Syria and Egypt, see page 218. for the big toe. This division was probably intended to accommodate the thong of a sandal.
A History of Hand Knitting by Richard Rutt