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By Wen S. Y.

Allow τ be a premeasure on a whole separable metric house and enable τ* be the tactic I degree made out of τ. We provide stipulations on τ such that τ* has a regularity as follows: each τ*-measurable set has degree corresponding to the supremum of premeasures of its compact subsets. Then we end up that the packing degree has this regularity if and provided that the corresponding packing premeasure is in the neighborhood finite.

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Extra info for A Certain Regular Property of the Method I Construction and Packing Measure

Sample text

120/16 A Pent. #5 ⇑ & ⇓ 2 min. 120/16 CAGED major chords 5 min. 120/4 CAGED minor chords 5 min. 120/4 CAGED dominant chords 5 min. 120/4 Major scale exercise set Pentatonic minor scale exercise set ⇑=ascending ⇓=descending Practice Log for Week #4 Session 2 Day: Date: Exercise Time: BPM Quality Duration Goal Notes on the Neck: B 2 min. 80/4 Quasi-chromatic 4 notes/string 2 min. 120/16 Hammer-on Pull-off 2 reps. 120/16 Crab 2 min. 140/4 C major scale, pat. #1 ⇑ & pat #2 ⇓ 2 min. 120/16 C major scale, pat.

Make the accent on the downbeat. If the accent is wandering, that is another sign of lost synchronization. After you have mastered this exercise, try using an upstroke as the first note. This will change the picking direction on all of the strings. The goal of 120/16 is pretty fast. When you start this exercise, you should be playing quarter notes, one note per metronome click. Soon you will be able to play this exercise at the maximum setting for your metronome. When you reach the top speed of your metronome, divide the BPM in half, and begin practicing eighth notes.

Compare the “lines” to the previous pattern. Notice where the pattern moves up one fret between the G and B strings. Repeat this procedure for patterns five, six and seven. You should be getting the hang of this by now, so I will just give you all of these patterns, one after the other. Practice each one, and write your tempos down on your practice log. If this is going easily, you can start using your timer to practice each pattern for two minutes. C Major Scale Pattern # 5 3rd fret 1 1 1 1 2 2 2 2 1 1 2 4 4 4 4 3 4 Use Alternate Picking !

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A Certain Regular Property of the Method I Construction and Packing Measure by Wen S. Y.

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